Klaxons Myths Of The Near Future Zip

 
Klaxons Myths Of The Near Future Zip Average ratng: 5,8/10 7182 reviews

Breathlessly anointed by the British press as pioneers of the 'new rave' movement, Klaxons aren't quite as radical on Myths of the Near Future as they've been made out to be -- but they're not as grating as the hype around them would suggest, either. Their sound is closer to dance-punk than revamped Madchester giddiness, more like Bloc Party before they got very, very serious than the Happy Mondays or Stone Roses. 'Atlantis to Interzone' is the band's most overtly dancey song. Opening with shouts of 'DJ!' sirens and guitars that sound sampled, but aren't, then segueing to beats and rhythms that soar and plunge like a roller coaster, the song is the closest approximation of what a 'new rave' would actually sound like. Fortunately, though, Klaxons don't limit themselves to a strict diet of shouty vocals, angular guitars, and loping basslines (though these are all present and accounted for on less interesting tracks like 'Magick' and 'Four Horsemen of 2012'). Myths of the Near Future's layered, deep-focus production prevents the band's sound from getting too boxed-in, elevating 'Forgotten Works' and 'Isle of Her' with choral vocals and a chilly atmosphere reminiscent of Gary Numan, 'Ashes to Ashes' Bowie, and the colder side of Wire. Paradoxically, Klaxons' more classic leanings are what make Myths of the Near Future's best songs sound fresh. 'As Above, So Below,' 'Gravity's Rainbow,' 'Golden Skans,' and 'It's Not Over Yet' range from brisk, witty pop to radiant ballads, but they all boast hooks and melodies that many of Klaxons' more straightforward indie contemporaries would be proud to call their own. It's a little uneven and definitely not the reinvention of music as we know it, but Myths of the Near Future is a strong enough debut to survive a level of hype that has crushed other bands, and enjoyable enough to return to when the hype dies down.

  1. KLAXONS ANNOUNCE NEW US TOUR DATES & PITCHFORK FEST 2007. For a little glimpse inside the Klaxons minds and Myths of the Near Future CLICK HERE. Or city/state/ZIP.
  2. Mar 14, 2018 - Here you can download free myths of the near future shared files found in our database: Myths of the Near Future.zip from mediafire.com host.
Klaxons Myths Of The Near Future Zip

Klaxons Myths tour. Parties and dreaming of Atlantis to debuting at #2 in the UK album chart with the release of their cosmically epic Myths Of The Near Future.

SampleTitle/ComposerPerformerTimeStream
1 04:20
2
Jamie Reynolds / James Righton
03:17
3 02:47
4
Jamie Reynolds / James Righton
02:43
5 03:57
6
Jamie Reynolds / James Righton
03:56
7 02:38
8
Jamie Reynolds / James Righton
03:26
9 03:32
10 03:37
11 02:18
blue highlight denotes track pickKlaxons Myths Of The Near Future Zip

Klaxons Myths Of The Near Future Zip Line

Just in time for the release of their debut album, the Klaxons have distanced themselves from the term 'new rave'. It's just as well, for there's almost nothing on Myths of the Near Future that would suggest more than a passing familiarity with old rave. There are a few electronic sounds, less integrated into the music than taped on to it, and a heavy-handed cover of Grace's classic Not Over Yet, which drains it of its original blissful ecstasy.

Klaxons Myths Of The Near Future Zip

Klaxons Myths Of The Near Future Zip

For the most part, though, the album is a mess of clumsy beats that never settle into a groove, lurching shout-along chants more suited to the football stadium than the dancefloor and unpleasant-sounding, overdriven bass. The songs descend the same chords repeatedly and ponderously, as if the band were falling down the same flight of stairs over and over again. Most unforgivably, there's the appalling production, with its curious emphasis on nasty, screaming treble. Stellar remixes from Simian Mobile Disco and Erol Alkan have shown that the Klaxons' music is redeemable - by removing all trace of the original.

But, given the current creative fertility of house and techno music, indie chancers trying to pass this ropey stuff off as a dance revival is insulting and pointless.